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Keith Jarrett - J S Bach - Das Wohltemperierte Klavier, Buch I (1988) [2CD]
TORRENT SUMMARY
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Book One of the Well-Tempered Clavier is performed on the piano while Book Two is performed on the harpsichord. His tempos are very fast, and he has a certain sense of humor that comes through in all his performances, making what might seem academic, warm and accessible. Highly recommended - and check out Jarrett's other classical recordings for other delights just as great.
I am a professional organist and am well versed in Baroque performance practices and stylistic specificities. As such, I have performed tons of Bach.
Jarrett's version is the best I have ever heard. I have even stolen some aspects of his interpretation and added them to my own. Some have commented that it was muddy, uninspired, contains errors. I disagree on all counts. I am most puzzled by the claim that there are errors. I play much of the WTC myself and I heard no errors.
I am most annoyed by people who over-interpret Bach as if each performer has a right to own him. Why doesn't this attitude exist for other composers as well? I don't understand. Jarrett sticks to what is on the page (with only the most minor contextually justifiable exceptions, unlike most other performers) and for this alone Jarrett deserves praise. This tells us Bach lovers that Jarrett trusts Bach's notes to do the work. I get the feeling from a lot of other performers that they do not trust Bach since they feel the need to do so much interpretataion.
I found Jarrett's version to be clear and penetrating. I enjoyed his tempos all told more than any other version I can think of. And there was just enough romantic emotionalism to remain within the scale of Baroque practice. Bach, throughout his music, displayed the capacity to render a wide variety of emotion. This fact I don't need to belabor to his fans. And Jarret does a fine job varying the styles of each prelude and fugue to reveal this often ignored side of Bach.