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Whether Tom Cruise's portrayal of a 19th century American soldier cum samurai warrior will be remembered with the same pangs of pop-cultural bemusement that befell John Wayne playing Genghis Khan remains to be seen. But its musical soundtrack does mark an auspicious occasion: pop musician-turned-composer Hans Zimmer's 100th score since beginning his film career in 1988. A pioneer of fusing both the electronic and orchestral and the Westernized with the indigenous, Zimmer does both here with skill, drawing heavily on samples of the traditional Taiko (a massive Japanese drum) for its rhythmic action sequences, while constructing a melodic Western motif for Cruise's character that's both centerpiece and counterpoint for the score's transcultural intent. Aside from the brief, ominous thunder of the expected action/suspense boilerplate, Zimmer has constructed passages of gentle, Asian-inflected pastoralism that have parallels with much of his evocative work on The Thin Red Line. Those cues are the score's very soul, a canvas against which his more traditional themes reverberate all the stronger. --Jerry McCulley
Whether Tom Cruise's portrayal of a 19th century American soldier cum samurai warrior will be remembered with the same pangs of pop-cultural bemusement that befell John Wayne playing Genghis Khan remains to be seen. But its musical soundtrack does mark an auspicious occasion: pop musician-turned-composer Hans Zimmer's 100th score since beginning his film career in 1988. A pioneer of fusing both the electronic and orchestral and the Westernized with the indigenous, Zimmer does both here with skill, drawing heavily on samples of the traditional Taiko (a massive Japanese drum) for its rhythmic action sequences, while constructing a melodic Western motif for Cruise's character that's both centerpiece and counterpoint for the score's transcultural intent. Aside from the brief, ominous thunder of the expected action/suspense boilerplate, Zimmer has constructed passages of gentle, Asian-inflected pastoralism that have parallels with much of his evocative work on The Thin Red Line. Those cues are the score's very soul, a canvas against which his more traditional themes reverberate all the stronger. --Jerry McCulley
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.: trackList :.
1 A Way Of Life
2 Spectres In The Fog
3 Taken
4 A Hard Teacher
5 To Know My Enemy
6 Idyll's End
7 Safe Passage
8 Ronin
9 Red Warrior
10 The Way Of The Sword
11 A Small Measure Of Peace
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FILE LIST
Filename
Size
01 - Soundtrack (The Last Samurai) - A Way Of Life.mp3
18.4 MB
02 - Soundtrack (The Last Samurai) - Spectres In The Fog.mp3
9.4 MB
03 - Soundtrack (The Last Samurai) - Taken.mp3
8.2 MB
04 - Soundtrack (The Last Samurai) - A Hard Teacher.mp3
13.1 MB
05 - Soundtrack (The Last Samurai) - To Know My Enemy.mp3
11 MB
06 - Soundtrack (The Last Samurai) - Idyll's End.mp3
15.3 MB
07 - Soundtrack (The Last Samurai) - Safe Passage.mp3
11.3 MB
08 - Soundtrack (The Last Samurai) - Ronin.mp3
4.3 MB
09 - Soundtrack (The Last Samurai) - Red Warrior.mp3
9 MB
10 - Soundtrack (The Last Samurai) - The Way Of The Sword.mp3
18.3 MB
11 - Soundtrack (The Last Samurai) - A Small Measure Of Peace.mp3