10 JUL 2026 - Back up to full speed! Let's be honest: for the last few months, TorrentFunk was painfully slow. Pages crawled, searches dragged, and just loading the site tested everyone's patience. We hunted the problem down to our network and rebuilt it from the ground up — smarter caching, a much bigger and faster connection, and a lot of fine-tuning under the hood. The difference is night and day: the site now loads in a fraction of a second. No more waiting around. Thanks for sticking with us through the slow spell. Now go discover your funk!
TV Release: 2012-02-06 Torrent Release: 21-05-2013 by user
TV Show Genre
Drama, Musical
Runtime
44 min.
Awards
Nominated for 1 Golden Globe. Another 9 wins & 27 nominations.
Infohash
56363b5ed6a9e44f758da61977bade34e3ede12a
Parental Rating
[14+] TV-14 - Parents Strongly Cautioned This program contains some material that parents would find unsuitable for children under 14 years of age. Parents are strongly urged to exercise greater care in monitoring this program and are cautioned against letting children under the age of 14 watch unattended.
Vote:No votes yet.
Episode: The Nominations (2x16)
Episode Plot:
The Outer Critics Circle (OCC) Award winners, which many see as a precursor to the Tonys, have just been announced. The results amp up the strategies each team uses in securing that coveted Tony nomination. Each of the individual members of the "Bombshell" and "Hit List" teams make some moves - some calculated, some unwitting - that may place them in a bad light, especially in how they deal with their main competition. Regardless of the OCCs, Tom may have problems getting a Tony nomination because of the less than friendly or ethical encounters he has with movie and Broadway star Patrick Dillon, who is on the Tony nominating committee. Thus it may not be good timing for Tom to admit or act upon the fact that he has a crush on "straight" Patrick, whose sexual orientation has been in question by the public. Jerry wants to use the OCCs that "Hit List" won for his advertising campaign for the Tonys, which does not include pushing for Kyle, who he says is getting no buzz. As such, Jimmy does whatever he can to lobby for Kyle. The "Hit List" team may have bigger problems because of the situation with Derek firing Ana and replacing her with Daisy, who only got the part in a blackmail on Derek. Although she cares about the awards, Ivy is more preoccupied by the news that she's pregnant. She has to decide whether she will choose motherhood or career at this important juncture, and if and how she will tell the father, Derek, with who she now feels disconnected. Another person preoccupied with other issues is Julia, who is dealing with a less than amiable divorce proceeding. Julia's relationship problems makes Eileen think about her own failed relationship with incarcerated Nick.
Episode Release:
2012-02-06
Episode Genre:
Drama, Musical
Runtime:
43 min.
Staff:
Actors: Debra Messing, Jack Davenport, Katharine McPhee Writers: Theresa Rebeck, Bryan Goluboff, Becky Mode Directors: Michael Morris
Other episode info:
Awards: N/A. Originally recorded in English in United States.
DESCRIPTION
For a Broadway musical, the road to success is not easy. And winning the coveted Tony as Best Musical, which is the ultimate goal, is even more difficult. Such trials and tribulations are shown for a handful of shows, their creative teams and their performers. There is competition amongst the performers for roles, competition amongst the shows not only for box office but also limited investor dollars and that final Tony prize, and competition amongst those ultimately hired in the cast and crew for what they want to see happen in the show, both for the good of the show and their own personal benefit. And sometimes, personal life gets in the way of these professional goals. These problems not only happen for those new or working their ways up the ranks, such as performers Karen Cartwright and Ivy Lynn, and the writing team of Jimmy Collins and Kyle Bishop, but also seasoned veterans, such as the writing team of Tom Levitt and Julia Houston, womanizing director Derek Wills, and producer Eileen Rand.
